Danny Rivera
It’s a far cry from rhyming ‘Goldfinger’ with like this one ‘cold finger’ and it’s exactly what Bond needed after the themes of Brosnan’s era, ranging from the sublime (Tina Tuner’s ‘GoldenEye’) to the ridiculous (Madonna’s godawful ‘Die Another Day’). With the franchise rebooting and returning to its more gritty, grounded roots, the film’s producers decided they wanted a more masculine approach and went to Cornell directly to write the theme. David Arnold, who wrote the 007 theme with Cornell, tells TheWrap he has fond memories of making the song that introduced Daniel Craig’s Bond to the world There was a new James Bond movie on the release horizon when I wrote this review (oh, well), so I felt it was high time I tackled a few more albums from the rather legendary Bond score discography on this site. Where better to start of course than not only with a David Arnold endeavour, but the one for arguably one of the (if not the) best Bond movie; Casino Royale. Let’s get stuck in.
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